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The art of ancient Persia includes architecture, painting, sculpture and goldsmithing from the early kingdom of Iran in southwest Asia.
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Anatolia can be regarded as an interculturation zone through which much of Greek perception of Persians was filtered until the conquests of Alexander focused Greek atten-tion more on the Levant and Mesopotamia.
The most striking instances of receptivity in the Greek world, as in the North Aegean and Anatolia, are responses to luxury toreutic; the Achaemenid deep and shallow bowls were particularly imitated in metal and ceramic throughout most of the lands in question.
Literary evidence generally presents a picture of hostility between the Persian and Greek worlds, with Macedonia, Thrace, and west Anatolia comprising much of the battle ground; the focus in the historical record on the military conflicts and diplomatic relations implies little cultural exchange.
INTRODUCTION The cultural impact of contact with Greece on Persia is discussed below (sec. Here the evidence for receptivity to Persian culture in Greece, the North Aegean, and West Anatolia is addressed, including receptivity on the part of the non-Greek peoples of these regions.